Menu
Your Cart

Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)

Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
Replica Swiss FM Acoustics FM266-MKII preamp (currently accepting reservations)
$4,682.80
Ex Tax: $4,682.80
  • Stock: 100
  • Model: 33057335103
  • Weight: 8.50kg
  • Dimensions: 55.00cm x 35.00cm x 15.00cm
  • SKU: 33057335103

Available Options

       Description

     

    The first is to play the classic string recordings that come with the enthusiasts. It is the top level of cohesion and density in Europe. It emits elegant gold, sacred and noble sounds. I can hear my DC ear oil. You can feel the pull string. The oil came in, the details were sleek, and there was no sturdy bath to stimulate the abrupt, completely melted in the air like silky milk chocolate, exuding a charming sound, my head was completely shaken with the violin. The image is very stable, the details are not compelling, and the exaggerated details are passed over, making me feel so many tiny details in the recording for the first time. This system plays a large-scale symphony, such as the general high-end system, which is controlled by pop music. A band is in full control. The delicate texture and the layered detail reveal the power to restore a band's posture. Naturally, without any pretentiousness and excitement, the whole scene is full of exquisitely loose, well-shaped, fresh and natural instruments. It is not a system that emphasizes the thickness, but an exquisite sound without meat. The transient is excellent enough to reproduce the original appearance of the instrument. Under the big symphony, I felt the power of almost invincible, the clean sound of the bass, and it was a god. It was a super low-quality low-speed dive, bouncing light, and rounded shape. The most difficult thing to do with audio is the low frequency, and the Swiss FM front and rear stage actually makes the low frequency perfect for impeccable, not to mention the high frequency and more delicate. As if in front of the Swiss FM front and rear, the low-frequency control and fineness of other amplifiers can not be perfect, not enough to condense, divergence, or control too tight. The breath of music is completely natural, and it has a silky dense flowing feeling with high density and high smoothness.

Replica-Swiss-FM-Acoustics-FM266-MKII-preamp-currently-accepting-reservations-33057335103

Replica-Swiss-FM-Acoustics-FM266-MKII-preamp-currently-accepting-reservations-33057335103

The FM 266-MKII preamp is the second only to the flagship FM 268. The predecessor FM 266 has been sold for 15 years before being upgraded to the MKII version. This is really an odd number in the audio circle. Most other brands have been listed for 2 or 3 years and are rushing to launch MKII or even MK3, but FM Acoustics does not. According to the original website, the FM 266 has not been upgraded because the design has been comprehensive at the beginning, but the unilateral or small part of the upgrade will not have much effect, so the FM 266-MKII has only been launched.

 
The FM 266-MKII has revolutionized the output and input modules. In the input section, the FM 266-MKII is equipped with a newly developed module, model number 19510A, which is based on a pure Class A fully balanced circuit. The main function not only matches the front-end source, but also filters out all unnecessary noise. The output uses the 19200 module, which is also a fully balanced circuit. It has a non-negative feedback design and excellent drive capability. Any rear or high impedance wire can be well matched.
 
More specifically, the balanced input of the FM 266-MKII is loaded with a newly designed pure impedance attenuator. What does this do? Because of the modern high-level source, especially with balanced output, its excessive voltage output is not only easy to cause overload of the input stage, but also often allows the volume knob of the front stage to stay at the lowest position, which is usually not linear enough. local. However, the FM 266-MKI appropriately attenuates the level of the source by the attenuator, and the proper volume at the time of listening can be maintained at the most linear 12 o'clock position. In addition, the FM 266 MKII can also adjust the total gain of the machine to maximize the gain of the entire system, in order to get the most balanced and excellent sound performance.

Write a review

Note: HTML is not translated!
Bad Good
Captcha